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All rights reserved. How the coronavirus outbreak grew from a few cases in China to a global pandemic in less than three months. And in the United States, Wayne Lawrence photographed portraits of the pandemic-bereaved: women and men who have lost people they loved. Take a minute with them, if you can. They were willing to let themselves be shown, in this extraordinary brutal year, with pain still filling their faces.
They deserve to have us try, at least, to see. The outer gloves were plastic, taped to seal out virus. He learned to hold and work his camera through plastic. In a Brussels nursing home he watched an aged woman look into the eyes of the nurse who had come to test her for COVID A stay-at-home order was issued on day By day , 8, deaths had been recorded.
She and her team were testing nearly people on that day alone. When she turned to Gerbehaye afterward, her voice was thick in a way that stays with him still; she sounded broken, tough, grieving, and furious, all at once. It is not uncommon for him, as a photojournalist, to stand in the presence of armed conflict and death.
But as he lingered last spring inside hospitals, eldercare facilities, and corpse-transport vans, Gerbehaye understood that Belgians of his generation were witnessing for the first time, as their grandparents had, their own nation in crisis and afraid. Were Belgian authorities simply counting more honestly, as some contended, than everyone else? In any case the casualties Gerbehaye saw, as he followed undertakers and hospital staff in Brussels and two smaller cities, were also among the living: women and men at the front, caring for the stricken, improvising, overwhelmed.
Outside a hospital in Mons two nurses sat near him one afternoon, silent, slumped, smoking cigarettes on their break. They reminded him of small animals curling into each other for warmth. He raised his camera. The nurses did not look up.
Fadli is their only child. On day 54 of the outbreak, a new policy temporarily banned domestic road, sea, and air travel. The toll by day 1, deaths. Stuck in the city, Fadli kept working. A photographic assistant drove him through streets that were empty and still, until the morning they rounded a corner and saw a throng—stopped cars, motorbikes, women and men on foot packed shoulder to shoulder, all shoving urgently toward something. He pushed up his face mask and hurried out.
What is happening? Rice, masks, and fermented soy cakes, all being handed out by uniformed men on the other side of a closed gate. Need and anxiety are propulsive forces, especially in a crowd. They had enough to eat. He had work. Indonesians were defying the travel ban already, spreading virus the length and breadth of the archipelago, but he knew the home of his parents was empty of guests: somber, quiet, safe.
Tanks and army trucks backed up an around-the-clock lockdown—no exceptions, even to shop for food and medicine. Amman is built on hills, and from his kitchen, photographer Moises Saman could hear the echoes of citywide sirens, the kind used for air raid warnings. He stayed inside with his family until the curfews began to ease, during prescribed daylight hours only, for certain approved purposes only.
Then he went to find the places where refugees live. Strict government. The toll by day nine reported deaths. About , recent refugees are in Jordan now, grouped into designated camps or scattered into settlements and neighborhoods. They come from as far away as Somalia and Sudan, but the vast majority are Syrians escaping civil war. The pandemic slammed the economy, wiping out informal work that many refugees depend upon.
The abruptly closed schools and community centers had been safe places of support for refugee children—especially girls, for whom an ongoing education is the surest protection against early marriage.
Smartphone homework uses data; replenishing it costs money. To the list of donation items made crucial in this pandemic—soap, buckets, pencils—UNICEF added a very modern form of aid: data allowances, loaded from afar, to help determined children stay in school. Daniel Owino Okoth: My aka name is Futwax. I have a family: a son and a wife.
In Kibera we have many stories to tell about how we are living our lives, you know? We tell them through music, through art, and I was doing gigs, traveling outside the county, performing in schools. Teaching people about Kibera, about ghettos around the world. Things were good when the corona was not around. I was hoping to do music videos, but then the corona came. On March 27, the. Nichole Sobecki: Kibera is one of more than a hundred informal communities, as I call them, in Nairobi.
Kibera is one of the biggest in Nairobi, and on a normal day commercial streets would be bustling with businesses, restaurants, hotels, and shops selling vegetables and meat and used clothing. Energy and hustle. Nairobi is built on hustle. If you know Kibera, you know Futwax, and early into the pandemic, he realized this was going to be a very real issue for his community. We share entrances and exits of houses.
We share where we iron our clothes after washing. We saw people who were taken away by ambulance, people from the slums who were put into government isolation centers, you know? So I decided to take responsibility in my own hands. I went to the management at Kibera Town Centre. Nichole: The Town Centre opened a few years ago, in the heart of Kibera. Now Futwax is often on the decks there or walking through the community with a megaphone, talking about the coronavirus and how to keep one another safe.
Daniel: The center has a recording studio where I was learning music production, and at the beginning of the pandemic, they closed it. But I said we could record corona radio jingles in different languages. They said OK, if you are careful to bring people in only one at a time and disinfect in between.
So with people who speak Luo, Luhya, Swahili, Kisii, and Nubian—we have many languages here—I recorded them saying: Please wear a mask! If you are sneezing, kindly sneeze on your elbow or arm! If you are talking with someone, kindly talk from a distance! As a businessman, when you are serving your customers, are you telling your customers to pay the electronic way?
Do you have a handwashing station? So I went into the studio and expressed it in lyrics. A mama mboga is a small businesswoman who sells vegetables. A wochi is a watchman. How many case tallies, risk percentages, per capita infection rates, daily updates in the counting of the dead? In the United States, the first case was reported on January Individual states set a broad range of policies in the absence of a unified national approach. The toll after the first days: 58, deaths. A pandemic is a story told in torrents of numbers.
In the newsroom of the Detroit Metro Times, where she worked as a writer, Biba Adams took in one number after another as the new coronavirus spread—out of China, across Europe, into the United States, into Michigan. It killed her aunt too, and her grandmother. Radio and television programs put Adams on the air, and whenever she spoke, she was direct about both her grief and her fury.
If political leaders had behaved differently starting with the earliest warnings, Adams said over and over, then her family members—her mother was a year-old working woman, part of a law firm, a lover of gospel music—might be alive today. She had dreams, things she still wanted to do. She was a person. And I am going to lift her name up. Elaine Head. All the portraits Lawrence made, in these centers of concentrated COVID damage, are of the individually bereaved—because their faces, like the names of the dead, are as important as the numbers.
Counting Marsha and Derrick, nine siblings were in the family home, in the small town of Greensburg, northeast of Baton Rouge. Marsha was a truck driver. He was, like … the pick of the litter, the chosen one. He was the one who kept everybody together. Their father, Yves-Emmanuel Segui, had emigrated from the Ivory Coast, where he trained as a pharmacist. Daily life there is in French; in New Jersey, as he raised his family, Segui kept failing the English-language pharmaceutical licensing exam.
Every time he failed, he began studying again to retake it. He was a retired General Motors plant worker, an excellent bowler, a classic car aficionado restoring a DeSoto.
June 3 would have been her sixth birthday.
Picture of an octopus underwater, reaching up with one of its tentacles. Picture of a .. Indigenous people battle squatters and timber poachers in Peru's Amazon. See images from the Nat Geo Travel Photo Contest a loved one and of their livelihood—in a war that had been fought in close quarters. This story appears in the March/April issue of National Geographic History magazine. .. Picture of trenches dug for the Battle of the Somme British and French artillery opened up, firing nearly a quarter million shells on the Citizens in Manhattan and Jersey City saw the blast close up, but people as far. The telescope is one of only a few able to directly capture images of giant exoplanets. There are more planets than there are stars, and at least a quarter are There's an outside chance a rocky planet orbits a star close enough for the Webb In a battle for readers, two media barons sparked a war in the s. Close Quarter Battle. (1 of 11 photos). CLOSE QUARTER BATTLE. 1; 2 · 3 · 4 · 5 · 6 · Close Quarter Battle photo View all photos. ADVERTISEMENT.
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